Arauco domado (1596) de Pedro de Oña y la imitación articulada de la Eneida y La Araucana
This article presents an analysis of Canto XIII of Arauco domado in terms of an articulated imitation of Book II of Virgil’s Aeneid, and of Canto XIII of Ercilla’s La Araucana. It is posited that by studying this exercise in aemulatio we are able to observe the creole poet’s creative appropriation o...
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| Formato: | Online |
| Idioma: | español |
| Editor: |
El Colegio de México
2020
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| Acceso en línea: | https://nrfh.colmex.mx/index.php/nrfh/article/view/3709 |
| Revista: |
Nueva Revista de Filología Hispánica |
| Sumario: | This article presents an analysis of Canto XIII of Arauco domado in terms of an articulated imitation of Book II of Virgil’s Aeneid, and of Canto XIII of Ercilla’s La Araucana. It is posited that by studying this exercise in aemulatio we are able to observe the creole poet’s creative appropriation of models both ancient and modern, as well as appreciate significant nuances in the meaning of the poem. |
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