Pedro de Padilla, imitador de Boccaccio: "Filocolo" y "De mulieribus claris" en las "Églogas pastoriles"

Two works of Boccaccio leave their mark on Pedro de Padilla’s Églogas pastoriles, via the corresponding Castilian translations. In Eclogue VI, the contest of dubbi adapts four of the thirteen Quistioni d’amore of Filocolo’s book IV (17-72). There are many details that point to the translation, wheth...

全面介紹

書目詳細資料
主要作者: Pérez Abadín, Soledad
格式: Online
語言:西班牙语
出版: El Colegio de México 2017
主題:
在線閱讀:https://nrfh.colmex.mx/index.php/nrfh/article/view/2829
機構:

Nueva Revista de Filología Hispánica

實物特徵
總結:Two works of Boccaccio leave their mark on Pedro de Padilla’s Églogas pastoriles, via the corresponding Castilian translations. In Eclogue VI, the contest of dubbi adapts four of the thirteen Quistioni d’amore of Filocolo’s book IV (17-72). There are many details that point to the translation, whether to the Laberinto de amor (1541) or to the Treze qvestiones mvy graciosas sacadas del Philocvlo (1546). Eclogue IX offers a feminine apology in which thirteen exemplary women are listed for their talent, courage or loyalty. The names are taken from Boccaccio’s De mulieribus claris, via the Castilian translation De las illustres mujeres en romance (1494). In this way the Églogas pastoriles testify to the presence of Boccaccio in 16th century Spanish literature.