Lo espiritual y lo material: el símbolo disémico y el desarrollo de la ambigüedad en "La Regenta" de Clarín
In this paper, the author studies, from a pragmatic point of view, thedevelopment of the ambiguity between the spiritual and the materialdimensions in La Regenta (The Regent’s wife) by Leopoldo Alas,“Clarín”. Since the tower of the Cathedral is a disemic symbol onlyin the first part of the story, do...
| Auteur principal: | |
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| Format: | Online |
| Langue: | espagnol |
| Éditeur: |
El Colegio de México
2013
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| Accès en ligne: | https://nrfh.colmex.mx/index.php/nrfh/article/view/1104 |
| Institution: |
Nueva Revista de Filología Hispánica |
| Résumé: | In this paper, the author studies, from a pragmatic point of view, thedevelopment of the ambiguity between the spiritual and the materialdimensions in La Regenta (The Regent’s wife) by Leopoldo Alas,“Clarín”. Since the tower of the Cathedral is a disemic symbol onlyin the first part of the story, don Fermín de Pas remains ambiguousuntil the end of the work. Through the comparative description ofthe Cathedral tower and don Fermín, the author combines semanticallythe physical with the spiritual dimensions. The contrast givesframework to the entire Clarín’s story, founding the base of a fiercecritique to the Church as well. |
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