Música, política y ceremonia en el día de la consagración de la catedral de Puebla
The link between music and politics during the consecration of the Puebla Cathedral on April 18, 1649, has taken on new relevance given current debates on the role of this art in history when studied from two complementary angles. The first analyzes the careers of the primary protagonists and the ro...
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| Formato: | Online |
| Idioma: | español |
| Editor: |
El Colegio de México, A.C.
2021
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| Acceso en línea: | https://historiamexicana.colmex.mx/index.php/RHM/article/view/4245 |
| Revista: |
Historia Mexicana |
| authentication_code | dc |
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| _version_ | 1853488930879438848 |
| author | Vilar-Payá, Luisa |
| author_facet | Vilar-Payá, Luisa |
| author_sort | Vilar-Payá, Luisa |
| category_str_mv |
"Bolivia", "hyperinflation", "economic crisis", "Bolivia", "hiperinflación", "crisis económica"
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| collection | OJS |
| description | The link between music and politics during the consecration of the Puebla Cathedral on April 18, 1649, has taken on new relevance given current debates on the role of this art in history when studied from two complementary angles. The first analyzes the careers of the primary protagonists and the roles they played in the plainsong ceremony that inaugurated the consecration rite, while the second examines those extraordinary and symbolic elements utilized in the process of musical composition, in this case of the mass Ego Flos Campi by Juan Gutiérrez de Padilla (1550-1664), the cathedral’s Kapellmeister. Through an emphasis on how sound articulates situations of ceremonial and political performativity – such as the words of a liturgical text – this analysis traces the connections between music, painting, the configuration of the cathedral chapter and political changes under King Philip IV. Fortunately, current musicology no longer argues that the greatest works should overcome the social and economic factors that surround them and artistic creation is considered to be a point of intersection between these and other, complementary parameters. All too often, however, musical composition is described as a result and not an agent. This article takes the perspective that both musical creation and execution can promote specific political content. |
| format | Online |
| id | oai:oai.historiamexicana.colmex.mx:article-4245 |
| index_str_mv | CONAHCYT LATINDEX PKP Index DOAJ DORA Redalyc Scielo México CLASE Handbook of Latin American Studies (HLAS) JSTOR Sociological Abstracts EBSCO Host HAPI HELA Scopus Ulrich’s International Periodicals Directory CIRC CSA Worldwide Political Science Abstracts Google Scholar Historical Abstracts IBSS MLA Biblat Current Abstracts Elektronische Zeitschriftenbibliothek Frei zugängliche ERIH PLUS IBZ Gale OneFile: Informe Académico Journal Scholar Metrics (EC3 Research Group: Evaluación de la Ciencia y la Comunicación Científica. Universidad de Granada) Periodicals Index Online America History and Life Global Issues in Context IBR Index Islamicus InfoTracCustom International Bibliography of Sociology Political Science Complete PubMed Social Services Abstracts SocINDEX SocINDEX with Full Text TOC Premier Anthropological Index Online Arts and Humanities Citation Index Chicano Periodical Index Current Contents CWTS Journal Indicators e-Revistas Humanities International Complete Humanities International Index Humanities Source PERIODICA Russian Academy of Sciences Bibliographies SCImago Journal & Country Rank |
| journal | Historia Mexicana |
| language | spa |
| publishDate | 2021 |
| publisher | El Colegio de México, A.C. |
| record_format | ojs |
| Terms_governing_use_and_reproduction_note | Derechos de autor 2021 Historia Mexicana |
| data_source_entry/ISSN | Historia Mexicana; Vol. 70, Núm. 4 (280) abril-junio 2021; 1869-1916 2448-6531 0185-0172 |
| spelling | oai:oai.historiamexicana.colmex.mx:article-42452025-07-10T19:12:44Z Music, Politics and Ceremony on the Day of the Consecration of the Puebla Cathedral Música, política y ceremonia en el día de la consagración de la catedral de Puebla Vilar-Payá, Luisa Puebla cathedral chapter performativity Juan Gutiérrez de Padilla 17th Century Puebla cabildo catedralicio performatividad Juan Gutiérrez de Padilla siglo XVII The link between music and politics during the consecration of the Puebla Cathedral on April 18, 1649, has taken on new relevance given current debates on the role of this art in history when studied from two complementary angles. The first analyzes the careers of the primary protagonists and the roles they played in the plainsong ceremony that inaugurated the consecration rite, while the second examines those extraordinary and symbolic elements utilized in the process of musical composition, in this case of the mass Ego Flos Campi by Juan Gutiérrez de Padilla (1550-1664), the cathedral’s Kapellmeister. Through an emphasis on how sound articulates situations of ceremonial and political performativity – such as the words of a liturgical text – this analysis traces the connections between music, painting, the configuration of the cathedral chapter and political changes under King Philip IV. Fortunately, current musicology no longer argues that the greatest works should overcome the social and economic factors that surround them and artistic creation is considered to be a point of intersection between these and other, complementary parameters. All too often, however, musical composition is described as a result and not an agent. This article takes the perspective that both musical creation and execution can promote specific political content. El vínculo entre música y política durante la celebración de la consagración de la Catedral de Puebla, el 18 de abril de 1649, cobra vigencia y alimenta los actuales debates sobre el papel de este arte en la historia cuando se estudia desde dos ángulos complementarios. El primero, analiza las trayectorias de los principales protagonistas y las funciones que asumieron en la ceremonia ejecutada en canto llano que dio inicio al rito de consagración. El segundo, pondera elementos extraordinarios y simbólicos utilizados en el proceso de composición musical, en este caso, en la misa Ego Flos Campi de Juan Gutiérrez de Padilla (1550-1664), maestro de capilla de la catedral angelopolitana. A partir del énfasis que la articulación del sonido otorga a situaciones de performatividad ceremonial y política –así como a determinadas palabras del texto litúrgico–, el análisis de evidencias traza vínculos entre música, pintura, conformación del cabildo catedralicio, conflictos políticos y cambios en la dirección de la monarquía de Felipe IV. Afortunadamente la musicología actual ya no sostiene que las mejores obras deben rebasar los factores sociales y económicos que las rodean; hoy la creación artística en general se considera un punto de intersección entre éstos y otros parámetros complementarios. Sin embargo, con demasiada frecuencia, la composición musical se describe como resultado y no como agente. El artículo respalda una perspectiva diferente al enfatizar que ambas, la creación y la ejecución musical, pueden promover contenidos específicos de orden político. El Colegio de México, A.C. 2021-03-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://historiamexicana.colmex.mx/index.php/RHM/article/view/4245 10.24201/hm.v70i4.4245 Historia Mexicana; Vol. 70, Núm. 4 (280) abril-junio 2021; 1869-1916 2448-6531 0185-0172 spa https://historiamexicana.colmex.mx/index.php/RHM/article/view/4245/4437 https://historiamexicana.colmex.mx/index.php/RHM/article/view/4245/4449 Derechos de autor 2021 Historia Mexicana |
| spellingShingle | Puebla cathedral chapter performativity Juan Gutiérrez de Padilla 17th Century Puebla cabildo catedralicio performatividad Juan Gutiérrez de Padilla siglo XVII Vilar-Payá, Luisa Música, política y ceremonia en el día de la consagración de la catedral de Puebla |
| title | Música, política y ceremonia en el día de la consagración de la catedral de Puebla |
| title_alt | Music, Politics and Ceremony on the Day of the Consecration of the Puebla Cathedral |
| title_full | Música, política y ceremonia en el día de la consagración de la catedral de Puebla |
| title_fullStr | Música, política y ceremonia en el día de la consagración de la catedral de Puebla |
| title_full_unstemmed | Música, política y ceremonia en el día de la consagración de la catedral de Puebla |
| title_short | Música, política y ceremonia en el día de la consagración de la catedral de Puebla |
| title_sort | musica politica y ceremonia en el dia de la consagracion de la catedral de puebla |
| topic | Puebla cathedral chapter performativity Juan Gutiérrez de Padilla 17th Century Puebla cabildo catedralicio performatividad Juan Gutiérrez de Padilla siglo XVII |
| topic_facet | Puebla cathedral chapter performativity Juan Gutiérrez de Padilla 17th Century Puebla cabildo catedralicio performatividad Juan Gutiérrez de Padilla siglo XVII |
| url | https://historiamexicana.colmex.mx/index.php/RHM/article/view/4245 |
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