| 總結: | The new mestizo tradition in Mexican architectural historiography was invented after the 1930's by sublimating the racist character ever-present in the development of the philosophical, aesthetical, and scientific structures of modern Mexican architectural thought. In the face of the monopoly exerted by the State's cultural ideology on the imaginaries of late-nineteenth-century architectural historiography, still expressed in taxonomies such as “indian expressionism” or “Creole expressionism”, Spanish traits become at once national and foreign, Mexican and anti- Mexican, traditional and opposed to tradition modernity and antiquity, universality and locality. This work desconstructs turn-of-the-century arguments by analyzing the continuity of Hispanic traits in the post-revolutionary invention of an old mestizo tradition.
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