Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes
This paper examines the role played by opera during the nineteenth century in Mexico and Brazil, with views to start a joint reflection on these two Latin American countries based on the career of two musicians: the Brazilian Carlos Gomes and the Mexican Melesio Morales. This essay does not aspire t...
| 主要作者: | , |
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| 格式: | Online |
| 語言: | 西班牙语 |
| 出版: |
El Colegio de México, A.C.
2008
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| 主題: | |
| 在線閱讀: | https://historiamexicana.colmex.mx/index.php/RHM/article/view/1695 |
| 機構: |
Historia Mexicana |
| authentication_code | dc |
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| _version_ | 1853488648910012416 |
| author | Zárate Toscano, Verónica Gruzinski, Serge |
| author_facet | Zárate Toscano, Verónica Gruzinski, Serge |
| author_sort | Zárate Toscano, Verónica |
| category_str_mv |
"Bolivia", "hyperinflation", "economic crisis", "Bolivia", "hiperinflación", "crisis económica"
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| collection | OJS |
| description | This paper examines the role played by opera during the nineteenth century in Mexico and Brazil, with views to start a joint reflection on these two Latin American countries based on the career of two musicians: the Brazilian Carlos Gomes and the Mexican Melesio Morales. This essay does not aspire to be a paper on comparative history, let alone on musicology. It rather seeks to sketch an anal- ysis in the line of the “connected histories” introduced by Sanjay Subrahmanayam. My starting points are the bonds that tied Mexico, Brazil and Italy during the nineteenth century in the field of opera. The rivalry between these two musicians made us bring together and relate two rarely compared histories, two pasts, and two historiographies. |
| format | Online |
| id | oai:oai.historiamexicana.colmex.mx:article-1695 |
| index_str_mv | CONAHCYT LATINDEX PKP Index DOAJ DORA Redalyc Scielo México CLASE Handbook of Latin American Studies (HLAS) JSTOR Sociological Abstracts EBSCO Host HAPI HELA Scopus Ulrich’s International Periodicals Directory CIRC CSA Worldwide Political Science Abstracts Google Scholar Historical Abstracts IBSS MLA Biblat Current Abstracts Elektronische Zeitschriftenbibliothek Frei zugängliche ERIH PLUS IBZ Gale OneFile: Informe Académico Journal Scholar Metrics (EC3 Research Group: Evaluación de la Ciencia y la Comunicación Científica. Universidad de Granada) Periodicals Index Online America History and Life Global Issues in Context IBR Index Islamicus InfoTracCustom International Bibliography of Sociology Political Science Complete PubMed Social Services Abstracts SocINDEX SocINDEX with Full Text TOC Premier Anthropological Index Online Arts and Humanities Citation Index Chicano Periodical Index Current Contents CWTS Journal Indicators e-Revistas Humanities International Complete Humanities International Index Humanities Source PERIODICA Russian Academy of Sciences Bibliographies SCImago Journal & Country Rank |
| journal | Historia Mexicana |
| language | spa |
| publishDate | 2008 |
| publisher | El Colegio de México, A.C. |
| record_format | ojs |
| Terms_governing_use_and_reproduction_note | Derechos de autor 2016 Historia Mexicana |
| data_source_entry/ISSN | Historia Mexicana; Vol. 58, Núm. 2 (230) octubre-diciembre 2008; 803-860 2448-6531 0185-0172 |
| spelling | oai:oai.historiamexicana.colmex.mx:article-16952022-04-19T19:27:27Z Opera, Imagination and Society. Mexico and Brazil, Nineteenth Century. Connected Histories: “Ildegonda” by Melesio Morales and “Il Guarany” by Carlos Gomes Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes Zárate Toscano, Verónica Gruzinski, Serge Mexico Brazil Subrahmanayam music historiography 19th Century México Brasil Subrahmanayam música historiografía siglo XIX This paper examines the role played by opera during the nineteenth century in Mexico and Brazil, with views to start a joint reflection on these two Latin American countries based on the career of two musicians: the Brazilian Carlos Gomes and the Mexican Melesio Morales. This essay does not aspire to be a paper on comparative history, let alone on musicology. It rather seeks to sketch an anal- ysis in the line of the “connected histories” introduced by Sanjay Subrahmanayam. My starting points are the bonds that tied Mexico, Brazil and Italy during the nineteenth century in the field of opera. The rivalry between these two musicians made us bring together and relate two rarely compared histories, two pasts, and two historiographies. Este artículo estudia el papel de la ópera en el siglo XIX en México y en Brasil con el fin de iniciar una reflexión de conjunto sobre estos dos países iberoamericanos a partir de la carrera de dos de sus músicos: el brasileño Carlos Gomes y el mexicano Melesio Morales. No pretende ser un ensayo de historia comparativa, menos aún de musicología, sino más bien de esbozar un análisis en la línea de las “connected histories” introducida por Sanjay Subrahmanayam. Partimos de los lazos que unieron en el siglo XIX a México, Brasil e Italia en el campo de la música de ópera. La rivalidad entre nuestros dos músicos nos obligó a acercar y asociar dos historias, dos pasados y dos historiografías pocas veces confrontadas. El Colegio de México, A.C. 2008-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://historiamexicana.colmex.mx/index.php/RHM/article/view/1695 Historia Mexicana; Vol. 58, Núm. 2 (230) octubre-diciembre 2008; 803-860 2448-6531 0185-0172 spa https://historiamexicana.colmex.mx/index.php/RHM/article/view/1695/1513 Derechos de autor 2016 Historia Mexicana |
| spellingShingle | Mexico Brazil Subrahmanayam music historiography 19th Century México Brasil Subrahmanayam música historiografía siglo XIX Zárate Toscano, Verónica Gruzinski, Serge Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes |
| title | Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes |
| title_alt | Opera, Imagination and Society. Mexico and Brazil, Nineteenth Century. Connected Histories: “Ildegonda” by Melesio Morales and “Il Guarany” by Carlos Gomes |
| title_full | Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes |
| title_fullStr | Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes |
| title_full_unstemmed | Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes |
| title_short | Ópera, imaginación y sociedad. México y Brasil, siglo XIX. Historias conectadas: Ildegonda de Melesio Morales e Il Guarany de Carlos Gomes |
| title_sort | opera imaginacion y sociedad mexico y brasil siglo xix historias conectadas ildegonda de melesio morales e il guarany de carlos gomes |
| topic | Mexico Brazil Subrahmanayam music historiography 19th Century México Brasil Subrahmanayam música historiografía siglo XIX |
| topic_facet | Mexico Brazil Subrahmanayam music historiography 19th Century México Brasil Subrahmanayam música historiografía siglo XIX |
| url | https://historiamexicana.colmex.mx/index.php/RHM/article/view/1695 |
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