| Resumo: | This paper examines the role played by opera during the nineteenth century in Mexico and Brazil, with views to start a joint reflection on these two Latin American countries based on the career of two musicians: the Brazilian Carlos Gomes and the Mexican Melesio Morales. This essay does not aspire to be a paper on comparative history, let alone on musicology. It rather seeks to sketch an anal- ysis in the line of the “connected histories” introduced by Sanjay Subrahmanayam. My starting points are the bonds that tied Mexico, Brazil and Italy during the nineteenth century in the field of opera. The rivalry between these two musicians made us bring together and relate two rarely compared histories, two pasts, and two historiographies.
|
|---|
