“Que se quede el infinito sin estrellas”: El devenir diva en la performance de Pedro Lemebel

Within the practices of subversion that are promoted in the performance of Pedro Lemebel, a ritualized use of the figuration of some Latin American divas of the middle of the XX century persists. At the time of deconstructing the homophobic discourse of the Chilean civic-military dictatorship, Lemeb...

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Détails bibliographiques

Auteur principal:	Jarpa Manzur, María Pilar
Format:	Online
Langue:	espagnol
Éditeur:	El Colegio de México A.C. 2018
Sujets:	travestismo género divas transvestism performance gender
Accès en ligne:	https://estudiosdegenero.colmex.mx/index.php/eg/article/view/145
Institution:	Estudios de Género