La armonía suprema. Análisis del concepto de armonía en el pensamiento cosmológico, ético y social de Zhang Zai 张载 (1020-1078)

He 和, usually translated in English as “harmony”, has always been one of the key concepts in the history of Chinese thought from Confucius to Mao Zedong and the contemporary Chairman Hu. The first characteristic of the Chinese way of thinking is that it is synthetic in its emphasis on the whole rath...

全面介紹

書目詳細資料
主要作者: Costantini, Filippo
格式: Online
語言:西班牙语
出版: El Colegio de México 2014
主題:
在線閱讀:https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2052
機構:

Estudios de Asia y África

實物特徵
總結:He 和, usually translated in English as “harmony”, has always been one of the key concepts in the history of Chinese thought from Confucius to Mao Zedong and the contemporary Chairman Hu. The first characteristic of the Chinese way of thinking is that it is synthetic in its emphasis on the whole rather than its parts, on complementarity rather than opposition, harmony rather than conflict. It is a system where universe, society and man represent both macrocosmic unity and microcosmic particularity. This essay focuses on the analysis of this concept in Zhang Zai’s philosophical system. I show how the neo-Confucian philosopher develops this idea from his cosmological thought where harmony is the ideal cosmic state, the source and the beginning of all phenomena. From the cosmos to the society the Zhang Zai’s “Supreme Harmony” become the main goal for human ethics, a perfect state which it can be reached through a correct and appropriate social relationship.